ONE OF THE 10 BEST BOOKS OF THE YEAR—THE NEW YORK TIMES BOOK REVIEW
WINNER OF THE CENTER FOR FICTION FIRST NOVEL PRIZE
One of the Best Books of the Year: The Washington Post, NPR, Time, O, The Oprah Magazine, San Francisco Chronicle, Entertainment Weekly, The Boston Globe, GQ, The Dallas Morning News, Buzzfeed, BookPage, Publishers Weekly, Library Journal, Kirkus Reviews
NEW YORK TIMES BEST-SELLER
Tommy Orange’s “groundbreaking, extraordinary” (The New York Times) There There is the “brilliant, propulsive” (People Magazine) story of twelve unforgettable characters, Urban Indians living in Oakland, California, who converge and collide on one fateful day. It’s “the year’s most galvanizing debut novel” (Entertainment Weekly).
As we learn the reasons that each person is attending the Big Oakland Powwow—some generous, some fearful, some joyful, some violent—momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss.
There There is a wondrous and shattering portrait of an America few of us have ever seen. It’s “masterful . . . white-hot . . . devastating” (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it’s destined to be a classic.
An Amazon Best Book of June 2018: What does it really mean to be an Indian/Native American/American Indian/Native? Orange’s vivid debut novel allows a unique cast—ranging from teenagers to elders—to pull this question apart even as they add a modern layer of complexity: They live in the urban landscape of Oakland, California. The thrust of Orange’s cross-cut storytelling is not to force his characters onto a strict plot line but to explore the varied ways of being an Indian and, more important, of feeling like an Indian. Fractured families, Oakland itself, and detachment from tradition make an Indian identity seem even more elusive to the younger characters, but it’s a feeling that they unknowingly share—and that Orange wants to expose. As an amateur filmmaker says to a teen he’s interviewing, “When you hear stories from people like you, you feel less alone.” Isolation and longing permeate the page, lifted briefly only as the characters intersect at the Big Oakland Powwow, with chaotic results. If I have any quibble about the book (and it could be a failure of mine, really), it’s that there are a few too many characters for me to comfortably hold in my head. But then again, this isn’t a comfortable novel, and therein lies its power and purpose. —Adrian Liang, Amazon Book Review